• Border Destroyer

    This 5000 square foot mural was made specifically for the University of New Mexico University Museum in 2024. This university is located in Las Cruces New Mexico, in the region I grew up in, on the border of the U.S and Mexico, situated on Indigenous land that is to this day being contested. The imagery in the mural is illustrating the passage of time, two suns in different times attacking the severe shape of a border wall, creating new life and possibilities. A fantasy and illustration of the possibility of art and education that rallies against the categorical separation of and state bred violence against peoples merely trying to survive. The mural included student work on one side from a painting assignment I developed for intermediate and advanced painting students.

  • Shape Stroll

    This 90 ft long 8 ft tall mural occurs on both sides of 34th street on the west side of Manhattan. It will be on 34th street between 9th and 10th avenue from 2024-2025. The shapes are echoing the pedestrian journey in the city. This mural was a community based mural, meaning that the general public was invited to come paint. Community murals are important engagements for artists or otherwise to experience painting in public on a large scale. I learned so much about painting large scale during community painting days for other artists' projects so it was lovely to be able to lead my own. 

  • Context Shift

    Context Shift is a monumental 11,000 sq ft  Acrylic paint on wall mural made for The Momentary in Bentonville AK in 2024. The concept of this mural is one of a literal perception shift. The colors on the mural flip, foreground becoming background on each side of the building. The drawings and shapes are based on an abstracted version of Papel Picado, a traditional Mexican paper craft. 

  • Pase Usted

    This 5,000 sq ft Acrylic on wall mural was made for the San Antonio Museum of Art in 2023. The mural is an attempt to bridge the encyclopedic collections in the museum. I searched through the collections until I found a spiral shape that repeated throughout several of the collections despite geographical and temporal differences. The spiral shape could be a wave, or a leaf, or just a dynamic shape. This shape is often on vessels in the various collections of the museum, which made sense, almost all peoples eventually make a clay vessel of some sort. These vessels are then adorned and painted. The idea for this mural was to turn the central lobby of the San Antonio Museum of Art into a giant cultural vessel, echoing the patterns found on the various collections within.

  • Pajarito

    Pajarito is a site specific mural painted on the 15th floor of the Empire State Building in New York, NY in 2022. This mural was challenging, it is located in an elevator bank and presented a very unique set of functional architectural features to work around. I am thrilled to have a permanent work in the iconic Empire State Building.

 
 
 

Cactus Garden

This mural was painted at the Latinx Project at NYU for the exhibition Building Radical Soil in January 2022

 
 
 

Brown Art Press Mural

This mural was painted at Abrons Art Center in October 2021 for the culminating exhibition of the Artist in Residence program.

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Las Ventanitas

Las Ventanitas was a collaborative window installation with Eric Santoscoy McKillip. It was made in August 2020 at Latchkey Gallery on Canal street in New York, NY.

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Borderland

Borderland was my thesis installation at the School of Visual Arts in the spring of 2020. The central work is a custom wooden inlay floor. The wooden inlay floor in the studio is made up of over 30 pieces of birch plywood  stained in four shades of rich brown. The floor depicts an Ancestral Pueblo vessel from the collection of the Metropolitan Museum of Art that is almost 1000 years old. I believe Ancestral Puebloan works contain a uniquely advanced understanding of positive and negative space relationships, a dense and playful interpretation of background and foreground and are foundational works of art in the Americas. In my installation the viewer is literally held up by the Ancestral Puebloan vessel and the vessel is very much the foundation for my space both physically and conceptually. The vessel is at once a sculpture and the physical manifestation of a citation. 

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These Lessons at Mass Gallery in Austin, Texas

These Lessons was a group show I organized at MASS Gallery in November of 2019 featuring works by Brooke Burnside , Diego Mireles Duran and myself. I painted an immersive mural featuring three 12 foot tall arches. Mural colors were chosen collaboratively and discrete works were hung throughout the space.

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Norteña at Sadie Halie Projects In Minneapolis, MN

Norteña was my solo exhibition at Sadie Halie Projects in the summer of 2019. For this installation I painted an immersive mural and hung discrete works throughout the space. A book of photographs was also published for the occasion by MFA Brown Art Press.

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Place Color y Sand at Lawndale in Houston, Texas

Place Color y Sand was a two person exhibition featuring myself and Eric Santoscoy McKillip. We collaborated on an immersive mural in the space and hung discrete works throughout. Place Color y Sand was at Lawndale from April - June 2019.

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Mural for Summer School with Latchkey Gallery in New York, NY

Summer School was a group exhibition of MFA students mounted by Latchkey Gallery at Core Club NYC in the summer of 2019. For the exhibition I was commissioned to paint a mural on site.

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Botanical Garden

This mural was painted in my MFA studio at the School of Visual Arts in the spring of 2019.

 
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No National Monument at Artpace in San Antonio, Texas

No National Monument was the exhibition component of Artpace’s Artist in Residence program. I was in residence at Artpace in the Spring of 2018. In addition to discrete works and murals made in residence the artists Eric Santoscoy McKillip and Flor Ameira were invited to exhibit and perform new works.